Finished plan: Fluttershy

So I finally drew the Fluttershy plans. It's not strictly one period as I couldn't find a style we were comfortable with, so it's made from two time periods.

I feel that I made the yellow in the plan a little too prominent. The underskirt I planned as two layers of tulle to get that soft look on it.  The overskirt will be covered in peacock feathers. I'm regretting this plan already, but it will look magnificent for our birthday girl. The bodice will be lightly boned. I just need to make a petticoat, corset and an undershirt to go under the corset. And of course the wings, as Fluttershy is a pegasus pony.

Here's the inspiration I used for the design. The skirt is from early 1900's and the bodice is around 1909-10. Both are from Janet Arnold's Patterns of Fashion. Time for material hunting again! Allons-y!

Shoes for Fluttershy are the Astoria's from American Duchess. I'm waiting for them to arrive (and hope to God I got the right size).

Astoria shoe from American Duchess.

Early plans; Fluttershy's Grand Galloping Gala gown

Fluttershy caused my quite a lot of grief, because I had no idea to which time period I'd tie her costume. There was thought of Middle Age, Byzantine inspiration, but I wasn't sure and it didn't just feel right. Then I happened to come by this image:

And something just clicked to place. The soft floofy look, the embroidery, the lace, the floofy trail... This was it. This is how I saw Fluttershy's gown. So I pitched the idea to the cosplayer who, after gentle persuasion, was exited about the idea.

I collected together images as an inspirational map, while I got myself a book about Edwardian fashion.

We both adore Alphonse Mucha's art and I'm hoping that once we get the early design chosen and I can start the detailed design plans, I get to incorporate some of that adoration into this cosplay gown. If nothing else, the hair and the accessory jewelry could be from Mucha's art.

Here's the first drafts of the gown. I'm still waiting for the feedback from the cosplayer on which kind of design she wants for the dress. After that I can start adding details, get the shape fixed, sampling materials and just getting the general planning together.